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Christine Fischer

Christine Fischer

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Happiness Machine 2019 (10)

The Happiness Machine is a cinematic performance comprised of animated films, musical compositions and testimonials. Ten women filmmakers, ten women composers and ten musicians present Christian Felber's Common Good Economy for discussion.


Christine Fischer

Christine Fischer

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Wet Dreams 1974 (5)

Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.


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Sexy Susan Knows How...! 1970 (4.8)

Susanne is the hostess who gives comfort to the visitors to her hotel. All of the vices in the country are heavily taxed, including drinking and making love. Susanne and a group of nude women try to give some relief to the beleaguered and overtaxed clientele.


Christin Fischer

Christin Fischer

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Hanami 2025 (10)

On a remote volcanic island that everybody wants to leave, little Nana learns to stay. Her mother, Nia, went into exile right after she was born and Nana grows up in the family of her father. One day, the family learns that Nia is ill. Nana begins to develop high fevers and is sent to the foot of a volcano for treatment. There she encounters a world steeped in magical realism, between dreams and reality. Later, when Nana is a teenager, her mother Nia finally returns to the island.


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Concrete Whisper 2024

A medieval saga and the surreal game in a chat group gradually give shape to a creature that makes its tracks through the big city. As the plot develops, the urban environment increasingly gains significance, with social and political themes influencing the progress of the story.


Christine Fischer-Defoy

Christine Fischer-Defoy

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Schön ist’s im Labyrinth – George Grosz in Amerika 1992

George Grosz, born on July 26th in Berlin, vicious draftsman and painter of the face of the ruling class, enfant terrible of the 1920s, accused of pornography and blasphemy, was one of the most popular visual artists of the Weimar Republic. Little is known, however, that Grosz spent half of his artistically productive life in the USA before returning to Berlin in 1959.


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My Name Is Bertolt Brecht - Exil in USA N/A


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