Chris Hartwell

Chris Hartwell

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The Way That I Take 2020

When a simple mistake turns into a fatal error for one of his patients, Sam tries to bury the truth.
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Prism of Love 2013

In a sea of faces, hers is the one your eyes light upon. It's electric. Exhilarating. You've never met and yet somehow you know her ... are drawn to her. Why? Could it be she's been there all along?
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Mirror 2013

In his final hours, a dying man reflects on his life.
Chris Hartwill

Chris Hartwill

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Most Known for...

Movie Picture

N/A N/A (7.031)

Inspired by actual cases and experiences, Numb3rs depicts the confluence of police work and mathematics in solving crime as an FBI agent recruits his mathematical genius brother to help solve a wide range of challenging crimes in Los Angeles from a very different perspective.
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Ghost Machine 2009 (4.873)

Two technicians battle a vengeful spirit that has infected their stolen military software.
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N/A N/A (6.05)

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.
Chris Hartwill

Chris Hartwill

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Most Known for...

Movie Picture

Loose End 1986

A 5 minute drama.
Chris Hartwell

Chris Hartwell

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N/A

Most Known for...

Movie Picture

The Scavengers 1987

Be warned, this campaign from the now defunct anti-fur trade pressure group Lynx fully deserves its 18 rating, as it starts out in a genuinely unsettling mood of David Lynch weirdness, then triumphantly embraces the sort of gut-level revulsion Lucio Fulci and David Cronenberg utilised in their most effective shockers to hammer the point home.