The Boxer from Shantung 1972 ( 6.8)

Leaving the poverty of his life in Shantung to seek fortune in Shanghai, The Boxer is instead drawn into a world of corruption, gang warfare and evil... Where his only protection is his famed fighting technique.

The Magic Blade 1976 ( 6.7)

Two rival swordsmen in imperial China, poncho-clad Fu Hung-Hsueh and Yen nan-Fei vie with a power-hungry villain for the deadly Peacock Dart and fend off waves of expert killers during their journey.

The Sentimental Swordsman 1977 ( 6.528)

A swordsman does everything it takes to bring justice. However, he has a drinking problem which eventually leads to his downfall.

The New One-Armed Swordsman 1971 ( 6.8)

Lei Li lost his right-arm in a sword duel with the master of a martial arts school, long ago. Now, he is able to defend himself well with just his left arm, and kung fu techniques. That he proves with just the help of his friend Chung-Chieng, when he crosses his path with a beautiful girl in need, Pao Chiao. Even against impossible odds, he will prove a great warrior.

The Invincible Fist 1969 ( 6.6)

Here Lo Lieh plays a dedicated chief constable for Tsang Chou village, who falls in love with the blind daughter of a bandit who is wreaking havoc.

Vengeance of a Snowgirl 1971 ( 5.7)

Sworn-brothers expert martial artists are the targets of a mysterious killer, which seems to bear a grudge against them for what happened several years ago.

Fist to Fist 1973 ( 6.3)

A young police cadet graduates from the academy, and is sent to a small town run by gangsters - one of whom betrayed the hero's father and left him to die.

Fist of Unicorn 1973 ( 4.4)

Unicorn travels to a village troubled by gangsters in search of revenge for the murder of his parents years before. The task is made more complicated when he befriends a middle-aged woman and her son who begin to admire and depend on him.

The Kiss of Death 1973 ( 5.2)

One night a textile worker is sexually assaulted by five deviants. The young lady tries to cope with the aftermath of this dramatic event but her life is ruined. Like a shattered vase, the pieces can be put back together but it'll never be the same. Cheng get's a job as a bar girl. She meets the club's owner who was a former kung-fu fighter until he was crippled. Cheng uses her position as a B-girl to go after the losers who raped her, She soon learns from a sleazy doctor that she has contracted a dark V.D. called Viet-Nam Rose. Crushed, she begs Lo Lieh to teach her kung-fu. At first he refuses until he learns her secret. Furious, Lo Lieh teaches her his deadly fight techniques (such as a groin crunching blow).

The Bride Who Has Returned From Hell 1965 ( 6.3)

The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.

Tarzan And The Treasure 1965 ( 4)

During World War Two, two Japanese army soldiers, Fan from Macau and Zheng from Taiwan, observe the Japanese hiding treasure in the mountains of Malaya. They make a treasure map and keep half each. Later, Zheng’s brother finds out Fan has died. The film opens when Zheng’s brother goes to Macau to buy the other half of the map from his friend’s descendants, having sent his niece Shufen (Liu Qing) and son (Ba Ke) to wait for him in Malaya with their half. But after a series of double- crossings and betrayals, Shufen and the boy set off to search for the treasure alone, with the Macau triads and the police in hot pursuit. At their moment of greatest danger in the jungle, the Taiwanese Tarzan (Gao Ming) swings onto the scene to save them.

Vengeance of the Phoenix Sisters 1968 ( 6)

In the prelude to this martial arts film, bandits kill a former sheriff and his wife. A servant carries their three little daughters to safety, but they grow up apart. Fifteen years later, each girl sets out to seek revenge. Eldest sister Xiufeng disguises herself as a man, performing acts of chivalry as she seeks out the bandits. Along the way, she runs across her sisters, Qingfeng and Zhifeng. They are entranced by the handsome stranger. Will Qingfeng and Zhifeng figure out he is in fact their sister, Xiufeng? Will the three "feng" girls (phoenixes) find the bandits and avenge their parents?

Ice Kacang Puppy Love 2010 ( 6.3)

Botak, the son of a coffee shop owner, is secretly in love with tomboy Fighting Fish, who has grown up with him since she and her mother came to live with them a decade or so ago. Angry at her mother for deserting her no-good father when she was still young, Fighting Fish sets out one day to find him, with Botak in tow.

KL Zombie 2013 ( 6.2)

An adaptation of the FIXI novel "Zombijaya" by Adib Zaini. The novel itself is inspired by AMC's television drama series "The Walking Dead". The film tells the tale of slacker Nipis who becomes a reluctant hero when a zombie outbreak robs him of the only life he knows.

Friend Zone 2019 ( 7.2)

Two best friends who wind up in the friend zone navigate a series of failed relationships through the years — until sparks finally fly.

The Secret of the Dirk 1970 ( 5.8)

The lovely Ching Li and handsome Chang I star as star-and-sword-crossed comrades who take on the vicious Black Tigers gang in a quest for hidden wealth. There's action galore, until the final, fiery fight in a temple of treasure.

Four Moods 1970 ( 6.8)

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

15 2003 ( 4.7)

Five troubled teens, abandoned by society and family, form a bond in a world of violence, drugs, and self-destruction, facing harsh realities of modern Singapore.

Cut 2004 ( 8)

A musical, all-singing, all-dancing, attack on censorship in Singaporean movies

Dragon Blows 1973

It starts out in rip roaring fashion, with our heroine (genre veteran Chiao Chiao) watching an out of control man rip the bodice from a struggling farm girl. Incensed by this brutality and no doubt offended by the film's one and only topless scene, she rams her fist through a brick wall and kills the man with her distinctive 'dragon blow'. Enter the film's male hero, her brother, who scolds his sister for using this deadly and forbidden weapon. The story then commences in earnest, as brother and sister end up protecting a poor orphan girl who has a valuable jade necklace that a nefarious criminal syndicate is desperate to obtain. Much mayhem ensues, though the film remains chaste and relatively bloodless after its promising beginning.

Shaolin: Wheel of Life 2001 ( 7)

Have you ever done a handstand... on the tips of your index fingers? How about snapping iron bars over your head as if they were bread-sticks? You'll witness these amazing feats and much more in this astonishing London performance of China's legendary Shaolin monks. In perfecting their martial arts prowess, these devoted Buddhists have honed their physical and mental disciplines to such an uncommon degree that their movements seem almost supernaturally powerful. From the athletic contortions of a young acolyte to an older monk being hoisted aloft on the points of sharpened spears, these men and boys have conquered and crossed boundaries of control that would strike most outsiders as impossible if it weren't for their living proof. In demonstrating these and other kung fu skills, the Shaolin also enact their history as an enduring order, providing a theatrical narrative that's literally breathtaking.

Unidentified 2017

Christmas at the Royal Hotel 2019

In 1941, Hong Kong was the Casablanca of the East, a city full of war refugees, profiteers and spies. With the sudden attack by Japanese troops, a Canadian soldier's Christmas promise is broken during the Battle of Hong Kong.

The Orb 2005 ( 4)

A group of friends travel to an isolated area of Hawaii to get away from it all and relax for the weekend. The group is relaxing, drinking beer and listening to the radio, when suddenly there is a bright flash in the sky and a meteorite crashes to the ground near their party. While attempting to investigate the explosion, some of the group comes across a small glowing orb floating in the air. One by one the orb enters the friends' bodies and takes control of them, turning them into mindless killers. The group runs for their lives not knowing who has been infected by the orb and who they can trust......

白山黑水血溅红 1947

Haunted House No. 13 1948

No. 13 Baochan Hutong in Beiping was originally the residence of King Zheng of the Qing Dynasty, and became one of the top ten murderous mansions in Beiping due to the unexplained deaths of its occupants from time to time. A couple from Shanghai rented the house, and the old man on watch told them the story of the old house. When the Eight-Power Allied Forces invaded, King Zheng's father was dragged to his death by a foreigner's horse for not letting the foreigner occupy the mansion, and since then there have been strange happenings in the mansion. Zheng Wang's son, Weng, was not doing his job, and Zheng Wang could do nothing about it. On the night of the ancestor's memorial service, King Zheng died of spasms in his arms and legs. After the Republic of China, Weng was forced to sell his house, his mother hanged herself, and his sister fell into a brothel, where a warlord general bought her as a concubine, but abused her all sorts of ways.

Disoriented 2020

Lilas and Amber, two young girls of Vietnamese origin that were adopted and educated in France, go back to Vietnam.

Fine Line 1984

Lee’s award-winning thesis film for NYU parallels a young man running from the Mafia and a young woman hiding from the INS, and its blend of the comic and the melodramatic sets the tone for the first feature films to follow. The title refers to Manhattan’s Canal Street, which separates Chinatown from Little Italy.

'15' 2002 ( 6.1)

An award winning short with a hyper-kinetic, mind-bending foray into the world of adolescent Singaporean boys. '15': The Short; mixes documentary realism, dream sequences, rapid montages, and other stylistic flurries to unleash a hard-hitting cinematic assault on Singaporean oppression and teen angst.

The Blueprint N/A ( 10)

The Blueprint is a science-fiction thriller about Cody, a computer engineer who is infatuated with a work colleague he considers perfect for him but had been previously rejected by and as such he has created an artificially intelligent replicant of her. When Cody comes home from a promising date with another woman who he feels cannot compare to the feelings he has for his colleague, he decides to begin work on attempting to replicate her personality in his robot by combining footage he had secretly taken of her and machine learning. But when this doesn't work and the replicant never feels like the genuine, living, breathing person he's trying to force into his life and he destroys his lifeless creation in a fit of rage, Cody now must come to terms with the fact that this mindset is toxic to him and everyone around him in spite of the fact that his behaviour, which has been discovered by the woman he was dating that night, may have caused him to lose his chance of another connection.

15 2003 ( 4.7)

Five troubled teens, abandoned by society and family, form a bond in a world of violence, drugs, and self-destruction, facing harsh realities of modern Singapore.