N/A N/A ( 7.281)

Touya Mochizuki was accidentally killed, and as an apology, God allows him to be reborn in a fantasy world and will grant him any one wish he desires. And so, Touya chooses to keep his smartphone in the next world. In his second chance at life, he befriends many important figures and comes across the world's secret. He inherits the legacy of an ancient civilization and travels around nonchalantly while possessing powers that rival this world's kings.

N/A N/A ( 7.7)

A. S. (Ad Stella) 122 ― An era when a multitude of corporations have entered space and built a huge economic system. Suletta Mercury, a lone girl from the remote planet Mercury, transfers to the Asticassia School of Technology, run by the Beneritt Group which dominates the mobile suit industry.

N/A N/A ( 6.897)

Al Wayne loves farming — and we don’t mean the video game sim. He wants to be a literal farmer, but in the process of improving his agriculture skills, he somehow winds up maxing out his overall character stats! He’s superpowered in the most unexpected of ways with abilities even the strongest of heroes would envy. Alas, all he wants is an idyllic farmer's life, but with demons and monsters invading the realm, Al may have to take up the mantle of hero just to keep his dreams from withering away!

Japanese Hell 1999 ( 4.2)

From the king of the Japanese cult movie, Teruo Ishii! A controversial film in which actual cases that rocked modern-day Japan—including the sarin gas attack by the Aum Shinrikyo Cult—are dramatized with gruesome detail as their perpetrators stand trial in Hell. An angst-ridden girl, Rika, is carried off to Hell by an old woman she meets in a neighborhood park. There she gets a first-hand look at the excruciating agony of those found guilty—by Lucifer himself—of committing heinous crimes during their time on Earth.

Uwaki-zuma Tsumami-gui 1998 ( 2)

Demeking 1998 ( 2)

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.