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Chenyu Mao

Chenyu Mao

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Walking Day 2000

A group of college students struggles to launch their poetry magazine and survive in school.


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Becoming a Father 2021

Mao Chenyu's film "Becoming a Father" presents the threat of genetic modification technology to the dominant position of men in a patriarchal society, indirectly expressing the hidden weight carried by women's bodies in the burdened traditions of the inland agricultural community. In the film, Mao Chenyu and his father place a ceramic embryo symbolizing reproductive totems into an earthen kiln, metaphorically representing a sexual activity dominated by males.In this symbolic ritual of female conception, the role played by males is merely a myth of passing on the flame, where the absolute dominant figure of the father can actually be replaced by genetically modified, superior seeds.


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Not a Bodhisattva 2010

Some kind of relationship other than the physical habits existing between two ambiguous objects, although irrelevant, seems to actively carry the non-physical and rapid interest of the whole society.


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