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Hop aboard the Astral Express and experience the galaxy's infinite wonders on this journey filled with adventure and thrills. Animated Shorts by MiHoYo that are found on Bilibili and Youtube
Iwatani Naofumi, a run-of-the-mill otaku, finds a book in the library that summons him to another world. He is tasked with joining the sword, spear, and bow as one of the Four Cardinal Heroes and fighting the Waves of Catastrophe as the Shield Hero. Excited by the prospect of a grand adventure, Naofumi sets off with his party. However, merely a few days later, he is betrayed and loses all his money, dignity, and respect. Unable to trust anyone anymore, he employs a slave named Raphtalia and takes on the Waves and the world. But will he really find a way to overturn this desperate situation?
A 34-year-old hikikomori is kicked out of his home by his family after the death of his parents. After his eviction, he saves a group of teenagers from being killed by a speeding truck, but loses his life in the process. When he comes to, he realizes he has been reborn as Rudeus Greyrat, in a world of swords and sorcery.
Natsuki Subaru, an ordinary high school student, is on his way home from the convenience store when he finds himself transported to another world. As he's lost and confused in a new world where he doesn't even know left from right, the only person to reach out to him was a beautiful girl with silver hair. Determined to repay her somehow for saving him from his own despair, Subaru agrees to help the girl find something she's looking for.
Yejiang / The Nightman Cometh features a cast of strange figures who slip between historical eras. Strewn with symbols of past and future, civilisation and wilderness, dream and reality, the work is laden with filmic, artistic and literary meanings but surrenders to none. An ancient warrior is seen wounded and forlorn after battle, in conflict about his path in life. Yang dramatises the clash between the hero's social role or 'mask', and the more authentic face of his instincts and aspirations. For Yang, the visible world presented in this work is not an objective one but rather the externalisation of internal sentiments.
