The documentary’s starting point is the discovery and restoration of a rare and unknown photography reel reproduced from a mutoscope film, made in 1901 in London, about Santos Dumont (1873 – 1932). The work approaches historic and artistic aspects from the beginning of Cinema (pre cinema, variety film) and a cinema that appropriates archive material (found footage, recycled films), through interviews, documents, visual metaphors and the articulation of a poetic essay.
A short documentary registering the meeting between two aviation pioneers: the Brazilian Santos Dumont and the Briton Charles Rolls. In it, Dumont presents his ideas for a future balloon, showing to Rolls the concept of such invention and the project with his notes, all of which the other man delightfully enjoys.
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Phil ‘Wildman’ Game returns to speedway after 16 years. Will he be good enough to recapture the glory of his youth, or will his comeback end in disappointment…?
This immersive eight-hour documentary follows workers in a Virginia factory over the course of an entire day, from clock-in to clock-out. Long, unbroken sequences of assembly and fabrication focus on the bodies of African American and Vietnamese American workers, while both mobile and fixed cameras transform their acts into pure movement. Everson’s “shift-film” adjusts the frame on race, class, and labor, celebrating the everyday and imbuing working bodies with new dimensions.
