Charles Klein

Charles Klein

1867-01-07
48 (1915-05-07)
London, England

London, England

Most Known for...

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The Telltale Heart 1928 (6.6)

An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.
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Furlough on Parole 1938 (5.6)

In 1918, a German regiment is granted five-hours leave in Berlin.
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The Lion and the Mouse 1928

Judge Ross, on the Federal Bench, rules in favor of a large company in litigation before him, unaware that a smaller company in which he owns considerable stock has been subsumed by the larger firm, thus creating the appearance of a conflict of interests. When one of the Judge's enemies plots to ruin the Judge over this apparent improper behavior, Judge Ross's daughter Shirley sets out to prove her father's innocence.
Charles Klein

Charles Klein

N/A

N/A

Most Known for...

Movie Picture

Blindfold 1928

Blindfold is a 1928 American synchronized sound drama film directed by Charles Klein and written by Ewart Adamson, Robert Horwood and William Kernell. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
Allen Charles Klein

Allen Charles Klein

N/A

N/A

Most Known for...

Movie Picture

Rossini: La Cenerentola 1983

La Cenerentola is Gioachino Rossini's version of the popular Cinderella story, an exciting mixture of comedy, pathos, coloratura fireworks and masquerade. This Glyndebourne production by John Cox captures perfectly the fairy-tale spirit of the piece, matched by Allen Charles Klein's imaginative scenery, distorted like three-dimensional cut-outs in an old-fashioned story book.