Lantern Festival Adventure 1979

The Jade Lantern Festival comes from a very old legend that commemorates the exploits of bandits.

The Newlyweds 1969

N/A N/A ( 8.2)

“And they lived happily ever after” is an ending we are all too familiar with. On Marriage focuses on portraying all those struggles that couples encounter when they give up themselves to fulfill their marriage. In this anthology series, each individual episode explores varying meanings of marriage from five unique perspectives.

Teenage Fugitive 1984 ( 6.8)

Three siblings idle their time while their parents are away. Youngest son, Hsiao-hung, finds a young fugitive taking refuge in their empty home, and hides him. Later, his mother finds the murderer sleeping in a cupboard – and a night of horror takes hold.

Iron Swallow 1978 ( 4.2)

When the deadly Iron Swallow (Chia Ling) sets out to avenge her past in this classic martial arts film, audiences are about to find out that it is revenge, not time, that truly heals all wounds. As the Iron Swallow sets out to enforce her own deadly brand of justice, a mysterious killer (Wong Wing San) charts her every move in a desperate attempt to frame her and prevent her from realizing her bloody dream. Now, as the limbs fly and the blood flows, friend will fight friend in an all-out battle to the death where the only rule is survival.

Off to Success 1979

A group of youths undergo the hardships of military training.

Four Moods 1970 ( 6.8)

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.