Carrie Lozano

Carrie Lozano

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We Want the Funk! 2025 (9.5)

Stanley Nelson's syncopated voyage through the history of funk music, from early roots to 1970s urban funk and beyond.
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The Interpreters 2018 (7.7)

The Interpreters follows the lives of Iraqi and Afghan interpreters, and the American veterans they worked with. In many cases, interpreters face danger in their countries because of their affiliation with the US war effort. This is the story of how they are rebuilding their lives.
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Emergent City 2024 (8)

When global developers purchase Industry City — a series of connected industrial buildings within a primarily immigrant, working class community in Brooklyn — conflicting views draw battlelines between residents, city officials and master planners as the fate of the city and contemporary urban development hangs in the balance.
Carrie Lozano

Carrie Lozano

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The Universal Language 2011 (8)

The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.
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Land With No Rider 2025

The land of southwestern New Mexico is contoured by rolling hills and sweeping valleys and streaked with arroyos. Land With No Rider centers on four cattle ranchers who know this region of the Mimbres River Valley like the back of their hands. As they speak about their lives, their ruminations often linger like poetry, noting the sound of snow falling or singing softly along with the radio. They rise with the sun and still tend to their herds at dusk, the soft purple hues tingeing the light as the ranchers reflect on the possibility of being the last of their generation to work this land. Director Tamar Lando’s transportive vérité portrait of the often solitary yet beautiful world of these ranchers is part oral history, part patient ode to a valley in transition.
Carrie Lozano

Carrie Lozano

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Prognosis: Notes on Living 2021

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.