Carole Hackett

Carole Hackett

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Running In a Maze 2008 (8)

Running In A Maze features an abstracted video of young women and men playfully chasing one another in a maze created by artist Charles Rea. The layering of architectural forms and spaces in conjunction with abstracted text creates a visual labyrinth in which multiple mirrored surfaces collide. Wong’s video documents Rea’s Mirror Maze, an installation consisting of symbols and patterns painted onto large convex security mirrors. The mirrored planes and cryptic text used to decipher information reference modern information systems and other myriad forms of technology. Splicing and fusing of architectural forms and transparent walls in this maze simulate an environment of reflected and reflecting surfaces that parallel Wong’s interest in discovering his own identity.
Carol Hackett

Carol Hackett

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Mainstreeters: Taking Advantage 1972-1982 2015

MAINSTREETERS: Taking Advantage, 1972-1982 surveys the history of a gang of Vancouver artists who lived and worked together in drama, excess, friendship and grief. From 1972 until roughly 1982, they lived along Main Street, the traditional dividing line between the city's working-class immigrant eastside and its more affluent westside. Core members––Kenneth Fletcher, Deborah Fong, Carol Hackett, Marlene MacGregor, Annastacia McDonald, Charles Rea, Jeanette Reinhardt and Paul Wong––engaged in ambitious collaborative media and performance work that charts the rapidly shifting social terrain of the city.
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Holy Joe 1986

This tape provokes the audience to question where their morals lie. A classic view of consumerism, religion, death, sexuality and vices is created with a stirring soundtrack of clichéd music styles.
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'4' 1981 (2)

’4′ originated as a collaborative performance by Deborah Fong, Carol Hackett, Annastacia McDonald and Jeanette Reinhardt as the S.S. Girls, following events and activities of the women’s daily lives on Main Street. The performance was produced by Paul Wong and co-sponsored by the Video Inn. ’4′ explores the lives and personalities of four women as described by one another in the style of a feuding dysfunctional family. ’4′ was developed as a multimedia performance, first staged at Western Front in 1980, then followed by a tour across Canada and into the USA. The scripted multimedia presentations were later adapted to a video work.