Built as a letter to JK in his centenary, the film shows what remained in the memory of Brazilians 26 years after his passing in a car accident in August 1976.
The Prologue focuses on the use of political propaganda shown in the cinema and the television in the 1960's and throws light on the short films cult that were exhibited before the cinema sessions in Brazil.
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Between captured images, animations and scientific descriptions, the puraquê electric fish is presented through the eyes of Humberto Mauro and Carlos Chagas Filho.
