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In the original horror movie The Night of the Living-Dead, a young girl is followed by an army of zombies. In Dying Living Woman, her character has been scratched out, image by image. Physically erased, she is even more visible, glowing with a surnatural light. The fictional character is erased, but her disapearance haunts the film.
A looped video, part of the City of Ys sculptural installation series by Camille Henrot.
Saturday focuses on the Seventh-Day Adventist (SDA) Church, an evangelical Christian denomination with an apocalyptic expectation, that celebrates the Sabbath and practices immersion baptism rituals on Saturday. Through the figure of the SDA Church appear the themes of hope for a better life and the desire to flee the daily mundane, which here manifests in a religious mode, but takes form elsewhere in the practice of particular dietary rules and extreme sports. Shot mostly in 3D, the film combines scenes recorded at SDA Church sites in the USA, Polynesia, and the Kingdom of Tonga with images of food, surfing, and medical tests; together, they immerse us in a parallel world of hope and belief – of transparencies and opacities. Meanwhile, text scrolling at the bottom of the screen materializes both a source of information and a desire to escape from it.
This movie is a retrogressive interpretation of the Frankenstein myth, evoking the genealogy of ideas and images bound to this modern Promethean figure from its origin to its derivative forms. The story is built by a succession of fleeting images in a manner both instinctive and erudite. Following an association of images from different cultural and historical contexts, PSYCHOPOMPE treats the strange transformation of "mythological waste" and its survival - through B-movies and amateur images as well as in moments from daily life. The soundtrack, inspired by minimal, ambiant and Noise music, is played live by its composer, Joakim, and his band the Disco. It is a peculiar mix of electronic sounds and acoustic instruments, stretched-out layers of sounds and noise explosions, outlining a cinematographic narrative: a story of metamorphoses.
