Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.
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Lost between the trail, the forest and the factory, northern Québec’s youth wander as they ask themselves what the future will bring.
A troubled man with personality issues tries to make sense of his relationships with the women in his life. His growing sense of despair will slowly push him to committing the irreversible.
