Residents of a rundown French apartment building battle against an army of deadly, rapidly reproducing spiders.
A few hours in Paris, one summer evening in 2020. The camera follows one passer-by then the other, traveling through the streets of the city and multiplying curious encounters: eccentric young people, original characters and nonconformists. During a single uninterrupted shot, the camera links the characters together through the same city, and the same time in crisis that each one goes through and questions in their own way.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
