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In Miraflores, Cuba, the growing romance between Mario, a factory worker, and Yolanda, a schoolteacher, throws into relief the differences in their perspectives and values in Revolutionary Cuba.
The daily life of the residents of one house, most of whose lives, in accordance with the customs of southern countries, take place in the courtyard, reflects the national character, the customs of the common people, their talent, and, most importantly, the new things that each new day brings to life in Cuba in the 1960s.
It reflects the transformation which a woman undergoes in the crisis of personal fulfillment that her husband is going through. In the middle of a complex process, marked by contradictions and failures, she will grow and express her independence as a human being. She will be another woman, determined to continue the difficult and unknown daily struggle.
