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Bimal Ghosh

Bimal Ghosh

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Most Known for...

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Prithibi Amare Chay 1957 (10)

A 1957 Indian film about an aspiring singer and the son of a reputed businessman. His stepmother accuses him of indecency and throws him out of his house to inherit all the property of her husband. The female protagonist suffers a similar fate as her stepmother forces her to leave. They both decide to commit suicide and go to a riverbank where they meet and the cupid strikes.


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Barjatri 1951

A group of six friends desperately try to find a suitable bride for their friend Ganesh. One of the six friends is already married and now wants even Ganesh to get married soon.


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The House Next Door 1952

This is a love story of a simple man who falls in love with his neighborhood lady. The lady has ample interest in songs and dances. The man without having singing ability wants to impress her but fails. He takes the help of his friend, a good singer.


Bimal Chandra Ghosh

Bimal Chandra Ghosh

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Shap Mochan 1955

Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.


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Dui Bon 1955

Ananda, an upcoming writer leaves his village to pursue his writing career in Kolkata


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Jog Biyog 1953

The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.


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