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Retired gambling legend Ken returns to Macau, only to be drawn back into action when his daughter becomes entangled in a global mafia scheme. Using his unmatched skills, he must stop a dangerous plot and protect his loved ones.
A gambler is targeted for murder during the wedding of his daughter to his protege.
As befits a full-blooded Jiang Hu (underworld) antic, COTL takes place over the course of a short, frenetic period, feeling to all intents and purposes like one night. It encompasses plenty of gore and cadavers (unless you get the sanitized, inferior mainland version), relying to a large extent on so-called triad codes of honor and organizational culture. At its core resides old boss Dragon Brother, done by Eric Tsang in a repast from his barrage of comical roles and commercial endorsements. The head wants to retire, leading to chaos in gangland as everybody else desires his position and accumulated fortune. Following his fateful announcement, two rival Mafioso's become potential enemies as Dragon Brother and concubine (Suki Kwan) aim to leave Hong Kong in order to start a new life in Europe.
Taiwan crisis, 1990s. The undead are wreaking havoc on the shore. A paranoia-infused, zombie-filled military thriller. Smells like… soldier brains?
Through the artwork of Billy X, this documentary delves into the taboo topic of the fetishisation of Black men. In this eye-opening exploration, take a journey through history, society, and personal experiences to uncover the roots and implications of this multifaceted issue.
