Bill Snider

Bill Snider

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N/A

Most Known for...

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The Swarm 1978 (4.962)

Scientist Dr. Bradford Crane and army general Thalius Slater join forces to fight an almost invisible enemy threatening America; killer bees that have deadly venom and attack without reason. Disaster movie-master Irwin Allen's film contains spectacular special effects, including a train crash caused by the eponymous swarm.
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N/A N/A (7.9)

The 4077th Mobile Army Surgical Hospital is stuck in the middle of the Korean war. With little help from the circumstances they find themselves in, they are forced to make their own fun. Fond of practical jokes and revenge, the doctors, nurses, administrators, and soldiers often find ways of making wartime life bearable.
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The Return of Wonder Woman 1977 (7)

Diana returned to Paradise Island after a 35 year absence and, slowly aging due to her Amazon nature. Once again, she returns to America as Diana Prince/Wonder Woman in 1977.
Bill Snider

Bill Snider

N/A

N/A

Most Known for...

Movie Picture

Kayak 1970

A non-narrated view of the sport of kayaking. Slow-motion sequences with men and kayaks twisting through rolling rapids and gliding over placid lakes are intercut in this film to capture the excitement and beauty of the sport. The film is not designed to teach skills. - acmi.net
Bill Snider

Bill Snider

N/A

Most Known for...

Movie Picture

Manufacturing Consent: Noam Chomsky and the Media 1992 (7.555)

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
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Tread: The Movie 1994

Two mountain bikers travel around the United States for the best places to ride.
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Concision: No Time for New Ideas 1994

This video focuses primarily on the implications of the structure and format of television, especially the consequences of concision, and how these factors can shape the messages of the medium. In addition, other issues, such as how democracies handle dissenters, and how the mainstream media have treated the challenges of Noam Chomsky's media critiques are explored. The media construct reality, and in the conclusion we see the author participating in that very process.