Hossein Khanibeik

Hossein Khanibeik

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N/A N/A (6.4)

A popular bandit, Morad, is robbing trade caravans. During a fight with another bandit, he has been rescued from death by the rural family. He takes a profound challenge in his life with these villagers.
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N/A N/A (6.5)

Sarbedaran is a historic series based on the revolt of the 'Sarbedar's of Khorasan, led by Sheykh Hasan Jowri against the Mongol Conquest of Iran. The director of this series is Mohammad Ali Najafi and it is written co-directed by Keyhan Rahgozar. Parts of this series also refer to the previous leader and the pioneer of the movement, Sheykh Khalifa of Mazandaran.
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The Path of Glory 1995 (4)

The Tangfani Pump House (Tangfani Oil Transfer Center), which was bombed several times during the Iran-Iraq War and then rebuilt, was once again targeted by Iraqi aircraft when it was opened and severely damaged. The National Oil Company officials believe that the only way to restart this important pump house, which is responsible for delivering crude oil to the country's three major refineries, is to move it underground. Specialists and workers, dressed as nomads, begin working underground, and Engineer Yeganeh is called to the area to direct the operation. In the meantime, several Iraqi regime spies, seeing the apparent halt in the reconstruction of the previous pump house, become suspicious of the movements and send one of their men to obtain information from Engineer Yeganeh through threats...
Ebrahim Beyk-Khan

Ebrahim Beyk-Khan

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Velgard 1950

Naser and Parvin live a simple and happy life and their happiness is made more complete by a baby, but the ill-wishers drag Naser into decline and he falls so much that with all his interests and ties to his family, he has no way of coming back.
Beyk-Khan

Beyk-Khan

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The Last Night 1955

A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.
Hosein Khani Beyk

Hosein Khani Beyk

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