For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.
The boxing promoter Charlie returns from America to Sweden and needs to find a professional Swedish boxer for an upcoming fight. By chance Charlie watches Björn Harring fight off some hoodlums. Charlie sees great potential in Björn and wants to promote him for an upcoming fight, the problem is though that Björn is studying theology and is soon to become a priest. This might not look too good in a prejudiced society of the 40s with a boxing priest, but Charlie is determent to find a way.
Two inventors, Ville and Rulle have developed a revolutionary new accordion; however, they have competition. Twelve-year-old Pelle Borell gets to show off the instrument in front of the Swedish accordion elite in Stockholm.
