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Bernard Lama

Bernard Lama

62 (1963-04-07)
Saint-Symphorien [now Tours], Indre-et-Loire, France


Most Known for...

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Old School 2000 (4.3)

In this mock documentary, television journalist Christie and her camera crew trace the history and nefarious exploits of the new terrors of the French criminal underworld. The "Old School" Gang are four young men who grew up in the same orphanage; led by Letiole, they affect outlandish mid-'70s fashions and a retro-gangster/neo-blaxploitation persona as they rob, loot, and shoot their way through the seamy underbelly of Paris.


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France - Brésil : Foot - Coupe du monde 1998 - Finale 1998 (8.3)


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Le Parc, Prince des stades 2013 (8)


Bernard Lamarque

Bernard Lamarque

N/A

N/A


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The Crack 2015 (6)

Clara, who was only thirteen years old, had to go through an experience that caused cracks within her; the same refraction will enable her to see with different eyes.


Bernard Lamarre

Bernard Lamarre

N/A

N/A


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Le temps des bouffons 1985 (8.2)

A short film created (and narrated) in 1985 by Québécois director Pierre Falardeau. It compares English rule in Ghana with Canadian dominance in Quebec by showing the 200th anniversary celebration of the Beaver Club of Montreal.


Bernard Lamarka

Bernard Lamarka

N/A

N/A


Most Known for...

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Entrée de secours 1982

You'll see Johnny Rotten or rather his ghost Johnny Lyndon insulting human herd with "this is religion, your religion". The last images of a film which lets you no escape, no more escape than the punkette who exhibits her genitals in a toilet hallway, no more escape than all these rockstars who belch to fill the void. On the music aspect, there is a combinatorial saturation of sounds that looks like a requiem. The images : uninterrupted movement un a daily apocalyptic space. This is about savagery, frantic intoxication, suicidal energy.


Bernard Lamarche-Vadel

Bernard Lamarche-Vadel

N/A

N/A


Most Known for...

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V.W. Vitesse Women 1974 (5.667)

Claudine Eizykman with VITESSE WOMEN, presents a torrent, dazzling film that intersects several sequences according to various rhythms, sometimes close to the perceptive thresholds, allowing the deregulation of the senses desired by Rimbaud, opening the way to another mode of perception. —Michel Nuridsany, Le Figaro


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