Barbara Britton

Barbara Britton

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Most Known for...

Movie Picture

I Shot Jesse James 1949 (6.245)

Bob Ford murders his best friend Jesse James in order to obtain a pardon that will free him to marry his girlfriend Cynthy. The guilt-stricken Ford soon finds himself greeted with derision and open mockery throughout town. He travels to Colorado to try his hand at prospecting in hopes that marriage with Cynthy is still in the cards.
Movie Picture

Gunfighters 1947 (5.568)

Gunfighter "Brazos" Kane lays aside his guns "forever" when he is forced to shoot his best friend, and decides to join another friend, Bob Tyrell, as a cowhand on the Inskip ranch. Upon arriving there he finds the bullet-riddled body of his friend. He carries the body to the Banner ranch, the largest in the territory, and is accused by Banner of murdering Tyrell; Banner orders Deputy Sheriff Bill Yount, who is in Banner's pay, to arrest Kane. But Kane has the sympathy of Banner's daughter, Jane, who notifies Inskip of Kane's plight, and Inskip arrives in time to prevent a lynching. Sheriff Kiscade dismisses the murder charge for lack of evidence. Brazos then sets out to find the killer of his friend. Bess Bannister, Jane's sister, is in love with the Banner ranch foreman, Bard Macky, and knowing that Bard killed Tyrell and that Kane will track him down, then hampers Kane's mission somewhat by pretending to be in love with him.
Movie Picture

Captain Kidd 1945 (6.065)

Cutthroat pirate William Kidd captures Admiral Blayne's treasure ship and hides the bounty in a cave. Three years later, Kidd, posing as a respectable merchant captain, offers his services to the King of England. Seeking a social position, Kidd also negotiates for Blayne's title and lands, provided he can prove Blayne was associated with piracy. Launched upon his royal mission, Kidd is unaware that Blayne's son Adam is among the crew, determined to clear his father's name.
Barbara Brant

Barbara Brant

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Most Known for...

Movie Picture

The Third Bank of the River 1994 (5.4)

After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive