Ahmad is an exiled teacher living in a small poor village with mostly ethnic Baloch along the Iranian border with Afghanistan. He acquaints a family of illegal Hazara refugees who are fleeing an immediate threat from the Taliban’s rise to power. Soon after Ahmad begins to realize that prejudice and dogma are dictating all of their lives and his perspective on what is right and what is wrong changes drastically. He decides to save a young forbidden love but that decision can have dire consequences for everyone.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
Farah, an Iranian woman, is forced to migrate to her private planet to be free. She buys other people’s memories in form of Super 8 films and records and archives her own to create an alternative history of Iran.
