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Maya is a singer in the biggest brothel of South Asian. She was trained and brought up by her Ostaad Karim Box. This movie focuses on the concept of taking consent and social struggles of a prostitute.
After her husband loses his job, a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
Mr. Mukherjee, along with his family, is caught in a storm. His son Chandranath AKA Lattoo is the only survivor. While growing up, he faces many hardships and meets a lonely cabbie, Bhola, who decides to unite him with his family.
