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Aparna Sen

Aparna Sen

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Chotushkone 2014 (7.3)

Four famous directors and old friends are reunited together by an unknown producer to make a film. They have to make four short story in this film with one common theme: Death.


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Unishe April 1994 (7.9)

A female dancer becomes famous but loses her relationship with her daughter on the way.


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Pikoo 1981 (4.8)

A day in the life of a six-year-old child in Calcutta, who lives shut up in the family home, insulated from the city by a park. The father is away at work. The grandfather is alone in his room, ill and confined to his bed. The mother receives her lover.


Aparna Sharma

Aparna Sharma

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Guddu Ki Gun 2015 (5.4)

Guddu Ki Gun is the tale of Govardhan aka Guddu (Kunal Kemmu), a Bihari settled in Kolkata. He is a door-to-door washing powder salesman, whose sales pitch is "Ek washing powder ke saath Guddu free". While sharing a room with his close friend Ladoo (Sumeet Vyas), Guddu leads an amorous lifestyle in Kolkata. His travails begins when he ditches one of his girlfriends, Bholi (Aparna Sharma). Furious for forsaking his granddaughter, Bholi's grandfather casts a black magic spell on him. The only way Guddu can get rid of the curse is to find true love and by staying faithful to her.


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N/A N/A (4.4)

An erotic anthology series exploring different aspects of love, lust and romance.


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Virsa 2010 (8)

An elderly Punjab man is saddened to find his wealthy son and grandchildren have abandoned their traditional Indian culture and morals while living in Australia.


Aparna Sharma

Aparna Sharma

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The Women Weavers of Assam 2019

The Women Weavers of Assam focuses on the craft, labour and the everyday lives of a group of women weavers in India’s northeastern state of Assam. The weavers belong to a non-profit collective called Tezpur District Mahila Samiti (TDMS), which was founded a century ago by women activists and Gandhian freedom fighters of Assam. The TDMS weavers preserve traditional motifs and methods of Assamese weaving, which have been declining since the introduction of mechanized cloth production in India. Montages of weaving blend with the weavers' accounts of their personal experiences, generating an evocative representation of the environment and the rhythms of TDMS, and the cultural significance of hand-weaving as a craft and industry in Assam.


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