An unknown stranger appears, inviting Róza to dance, giving her a pair of red shoes. Thanks to them, Róza starts to dance, wildly and with great passion, quickly becoming the center of attention. Soon after she realizes that she can't control the shoes, the shoes are controlling her…
Jirka rents a room in his Prague apartment to a bodybuilding tourist who constantly trains all over the city. Jirka can’t help but spy on this mysterious visitor, but quickly realizes he might be the one getting spied on.
In his film at the intersection of an experiment and a poetic documentary, Milan Klepikov looks at the end of the world as defined by the poet Petr Král, who is convinced that children are born into a world which has in fact already ended. Trying to understand the young generation’s viewpoint and to capture the end of cinema as we know if, Klepikov wildly chases and captures visual and auditive input, which he combines into a film sketchbook consisting of fragments of the lives of young people who apparently have been through the end of the world, but who still have many years ahead of them.
