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Antoni Pinent

Antoni Pinent

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QR Code/Film 2014 (10)

First work from the ‘QR CODE / FILM’ series. Following in the footsteps of classic authors such as Gil J. Wolman, Peter Kubelka or Tony Conrad, who worked with alternating white frames (transparent) with black (opaque) in the 50’s and 60’s (last Century). — AP


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#0. sisocisP 1992 (6)

"[An] experiment that aims to highlight the number of shots of a specific scene [from Hitchcock's Psycho] by replacing the shot of the image with several of the credit titles from the same film [...] An early work, which would be the first official of Pinent's filmography, made when he was only 16 years old, [...] Two years away from Matthias Müller's 'found footage' reference work, 'Home Stories' (1990), a key piece in the genre." -Center de Cultura Contemporània de Barcelona


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QR Code/Film [#2] 2018

It has always been understood that the secret of movement lies in the decomposition of time. Aristotle was convinced that the horse in his gallop never rises completely from the ground. Only in the 1870s, Eadweard Muybridge, using a series of photographic devices operated by cables, observed the famous horse Phryne L. In order to understand its mystery, through the dissection of time: in an instant it is suspended in the air. — AP


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