Antoinette Dennefeld

Antoinette Dennefeld

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Le Songe d’une nuit d’été - Opéra de Lille 2023

Strange creatures roam the woods near Athens at night, and different worlds exist there without ever crossing paths. The Lovers are unaware of the existence of the Rustics. Neither the Rustics nor the Lovers know that they are surrounded by fairies. And only the ingenious Puck can travel from one world to another. Illogical, you might say? Of course, since it's a dream! But rest assured: Shakespeare's artistry, masterfully adapted by Benjamin Britten, transforms this confusion into a magical comedy of love.
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Guercoeur 2024

In the ethereal afterlife, there is no time or space. The shades, freed from their earthly cares, celebrate the greatness of the Goddess of Truth. Shrouded in eternal glory, she sits triumphant, flanked by Beauty and Goodness, while at her feet lies Suffering in her mantle of blood. In the midst of this chorus of praise, a discordant lament rises: “To live! Who will give me back the thrill of life?” The voice belongs to Guercœur, who died in the prime of life after falling in love with Giselle and freeing his people from a tyrant, assisted by his friend Heurtal. Unable to rest, Guercœur begs to return to his fleshly form. Truth warns him: two years have already passed on Earth where nothing lasts forever. His fall from paradise could be brutal…
Antoinette Dennefeld

Antoinette Dennefeld

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Most Known for...

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Le Comte Ory 2014

Stage Director Laurent Pelly returns to Lyon for a new production of Rossini’s Le Comte Ory that transforms an exotic hermit from Palestine into an Indian guru, and a young medieval countess into an uptight bourgeoise. Music Director Stefano Montanari leads the Orchestra of the Opéra de Lyon in Rossini's rollicking score, while Dmitry Korchak (Le Comte Ory), Désirée Rancatore (La Comtesse Adèle), and Antoinette Dennefeld (Isolier) invite hilarity at every turn as the bumbling triangle of lovers.
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Carmen - Opéra National de Paris 2017

The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.