Anthony Bliss

Anthony Bliss

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Most Known for...

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The Shape of Things to Come 1979 (4)

Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus.
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Age of Innocence 1977 (4)

A British schoolteacher finds trouble in a conservative Canadian town.
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Split Images 1992

A journalist knows more about a grizzly murder than is good for her. All her evidence points toward a mysterious millionaire but no one will believe her.
Anthony A. Bliss

Anthony A. Bliss

N/A

N/A

Most Known for...

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Puccini: La bohème 1982

"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
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The Metropolitan Opera: Hansel and Gretel 1982

The Metropolitan Opera's performance of "Hansel and Gretel" features music by Engelbert Humperdinck and is conducted by Thomas Fulton. The Met's storybook production cheerfully evokes a magic world of woodland sprites and candy dreams and yet brings as well the entire apparatus of Wagnerian music and drama to bear on a German fairy tale. This production is sung in English, and features the Metropolitan Opera, Chorus, and Ballet.
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Verdi: Rigoletto 1981

The opera's dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says "Pari siamo", he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.