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A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”
A peeping tom caught spying on a women's self-defense class is taken captive by the class leader. At first the class uses him as a training dummy, but his treatment at the hands of the ladies steadily becomes more dangerous and humiliating.
