The Ghastly Ones 1968 ( 4.1)

Three sisters must spend three nights on an eerie island to inherit their father's fortune. A deformed man leads them to the estate where horrors await.

Depraved! 1967 ( 3.5)

Three New York swingers couples, Bob and Polly, Rod and Linda, Vera and Mark, experiment with drugs, swapping mates, and homosexuality. Vera is a bisexual who learns that she's pregnant but does not know who the father is and finds solace with a lesbian friend. Linda cheats on Rod with his brother-in-law, while Polly is a lesbian in denial whom attends transvestite parties to escape from being around her misogynistic husband Bob.

The Degenerates 1967 ( 4.3)

In a post-nuclear holocaust world, a three nomadic men are accosted by a group of five murderous women living in a secluded farmhouse.

City of Blood 1987 ( 3.857)

A medical examiner investigating a series of prostitute murders discovers that the culprit is an ancient tribal witch doctor come back to life.

N/A N/A ( 7.692)

Follow the lives of the inhabitants of Oldenheim, an ancient Dutch village where families have lived for generations. The terror is great when the inhabitants of the village are confronted with a series of mysterious disappearances.

De Val van Aantjes 2013

N/A N/A

Line of Apogee 1967

Original electronic score by Vladamire Ussachevsky. My works are that of a person who fought the notion that he was gay because, in the time frame of the 50's 60's & 70's anything gay was perverted and evil LINE OF APOGEE is a dream chronicle of 48 minutes in color and black and white shot of 16 mm, with an original electronic score by Valdimir Ussachevshy. Ussachevsky was one of the founders of the form of electronic music at the Columbia-Princeton Electronic Lab at Columbia University in New York City in the 1960s. It took the Grand Prize at the St. Lawrence Film Festival. 'An Extraordinary trip in Sensory Experience.' Wild colorful imagery probing a lifetime of a man's dreams' said Cue magazine 'A sumptuous color film... disturbing but visually beautiful psychological exploration utilizing surrealistic imagery' – Dance Magazine.

Pourvoir 1982 ( 6)

Patrice Enard’s ‘Pourvoir’ is a film mainly comprised of images of women in nature, his style is stark and repetitive, shots are angular, which both hide and reveal. There is though a visual poetry to his work - once the smoke dissipates, a sexual liberation emerges, with subtle flourishes in the staging and editing threaded together by Marxist and Freudian discourses.

Cinématon XXVI 1982

Reel 26 of Gérard Courant’s on-going Cinematon series.

Impressions d'ici et d'ailleurs 1986