Nachruf auf Jürgen Trahnke 1962

Die Räuber 1966

Through an intrigue, Franz Moor manages to have Karl, his brother, disinherited and disowned. He then founds a band of robbers and becomes their captain. Franz wants to win over Karl's fiancée Amalia and fakes Karl's death, and later the death of his father, whom he has locked up in a tower. Karl has to answer for ever greater crimes committed by his gang and increasingly doubts his decision. Plagued by longing, he leads the gang to his father's castle, where he speaks to Amalia once again in disguise. He frees his father from the dungeon, but he dies of fright when he learns that his son has become a criminal. Franz commits suicide when the robbers storm the castle. As Karl has conspired to the death of his gang, a happy future with Amalia is out of the question; under these circumstances, Amalia wishes him dead. Karl kills her, renounces his gang and his life of crime and hands himself over to the law.

Ankunft bei Nacht 1965

Hunting Season 2017 ( 7)

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.

No Land's Song 2016 ( 6.6)

In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ?

Tadmor 2017 ( 6.4)

Amidst the popular uprising against the Syrian regime that began in 2011, a group of former Lebanese detainees decides to break their long-held silence about the horrific years they spent imprisoned in Tadmor (Palmyra), one of the Assad regime's most dreadful prisons. They decide to testify publicly about the systematic torture and humiliation they experienced. To reclaim and overcome this dark chapter in their lives, they rebuild Tadmor in an abandoned school near Beirut. By playing the role of both "victim" and "victimizer," they will relive their survival.