N/A N/A ( 5)

The series revolves around South African born businessman Jacob Makhubu Abayomi, a son of an ANC stalwart who finds that his biological father is actually a Nigerian tribal chief. Jacob's subsequent desire to build an African oil and gas business empire in the shadow of both of his fathers is set against the backdrop of family feuds and betrayals.

21 Up South Africa: Mandela's Children 2008 ( 6.2)

Documentaries that revisit a group of children every seven years is brought to post-apartheid South Africa. Here, filmmaker Angus Gibson interviews 11 young people of various races and backgrounds as they turn 21. The result is an insightful look at how they've changed and the issues they face such as crime, race relations, education and the AIDS epidemic which has killed three of the original 14 children.

14 Up South Africa 1999 ( 5)

In 1992 20 seven-years-olds are interviewed during a time of violence in South Africa and great change. Seven years later we visit the same childen. Now teenagers, they share their thoughts on love, money, violence, race, relationships, and God.

N/A N/A ( 9)

Felix in Exile 1994 ( 5.8)

Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.

Sobriety, Obesity & Growing Old 1991 ( 6.8)

Sobriety, Obesity and Growing Old picks up the narrative and themes begun in Kentridge's first film, Johannesburg the Second Greatest City after Paris, and follows the development of the relationships between his cast of invented characters, Soho Eckstein, his wife and her lover, Felix Teitelbaum. These relationships reflect, metaphorically, the changing political situation in South Africa at the time the film was made. Demonstrations and marches in opposition to the apartheid régime together with the governmental relaxation of most of the State of Emergency regulations and restrictions heralded the beginning of a change in the country's power structure (and white attitudes towards black African rights). Soho, a symbol of South African white power, develops the capacity for awareness, longing and love and the potential for guilt and repentance.

Mine 1991 ( 5)

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.

One for the Road 2024

A man seeks help from strangers when he is stranded on a country road with his young family, unbeknown to him that he has broken down in dangerous territory.