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Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
When five strangers with nothing in common come together at a remote roadside eatery, they place their orders with the diner's omniscient owner, who seems to know everything about them ... and is eerily reminiscent of Jesus Christ.
The short film for “Black or White” premiered on November 14th in 1991 and was viewed by the largest TV audience ever for a music video premiere, more than 500 million people. Director John Landis told the Associated Press in advance of the release of the short film, “This is Michael’s piece, an extravaganza. He really feels the audience deserves the best he can give.”
Tiro Mandawa accidentally discovers a mysterious ancient artifact while he is guiding an archaeological mission. The artifact is believed to be the last piece of an ancient inscription related to Indonesian folklore. Prof. Kuncoro, a professor of history on ancient civilization, believes that the artifact is the key to the location of an ancient relic that has an endless powerful force. A giant company, the Madewa Group, headed by Adinoto Madewa is willing to finance the expedition to find the ancient relic. Tiro, and his faithful assistant, Satrio, the head of Madewa Group special staff, Miranda, plus Prof. Kuncoro and his two children, Sandhika and Panji, join this expedition mission. Their work is then obstructed by a treasure hunter, Maulana, who is also after the ancient relic.
German realist painter Rolf Kuhlmann is known for his complex, multilayered figures in compositions which evoke the world of dreams. In this remarkable documentary, director Claudia Schmid spends a year following the artist as he visits German forests, and ancient archeological sites and refugee camps in Greece. The Endless Moment documents the extraordinary creation of ambitious, large-scale double triptych paintings—from life studies to tactile three-dimensional objects—as the camera captures moments of conception, rumination, execution, and revision.
