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Andrea Bussmann

Andrea Bussmann

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Fausto 2019 (5.3)

On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literature, myth and local entanglements, the frontier between reality and fiction, and the seen and unseen, no longer apply.


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He Whose Face Gives No Light 2011 (5)

A masterclass in the art of digital cinematography thanks to the efforts of Mexican maverick Nicolás Pereda (director of Perpetuum Mobile), it's a highly unusual 'behind the scenes' record of a film-shoot in Mexico City - namely, Michel Lipkes' Malaventura. Bussmann concentrates on the elderly gents who appear in one atmospheric bar-scene, observing them between takes and interviewing them about their lives. The gently-paced results cast a steadily hypnotic, and intoxicating spell.


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Tales of Two Who Dreamt 2016 (4)

Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.


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