Anahita Nazemi

Anahita Nazemi

N/A

Most Known for...

Movie Picture

Dancing Dreams 2010 (6.8)

The dance performance “Kontakthof” bears the unmistakable signature of Pina Bausch: it deals with forms of human contact, encounters between the sexes, and the search for love and tenderness, with all its attendant anxieties, yearnings and doubts. It is a dance about feelings, which always pose a big challenge – particularly for young people. Teenagers from more than eleven schools in Wuppertal went on an emotional journey that lasted almost a year. Every Saturday, forty students aged between fourteen and eighteen years of age took part in rehearsals that were led by Bausch-dancers Jo-Ann Endicott and Bénédicte Billiet and intensely supervised by Pina Bausch herself.
Movie Picture

Crazy Hormones – Men and Women in the Menopause 2018 (5.5)

Virtually every woman who enters menopause has questions about what’s happening to her body and how to effectively deal with the changes. The broad availability of medicines, remedies and even hormones even conveys the concept that menopause as a curable “deficiency disorder”. This documentary takes a look at the scientific and medical contexts of menopause as well as the latest findings in international research. Are artificial hormones medically necessary or a seductive, supposed fountain of youth? Do they truly assist in alleviating the suffering of women, or are they lifestyle drugs reflecting a zeitgeist in which ageing is no longer acceptable and older people are seen as “flawed”? A visual and provoking science documentary about the hot time of menopause that also takes a look at whether and how the hormones in men likewise go crazy.
Movie Picture

Becoming Black 2019 (6)

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.