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In 1988, the disappearance of a young girl shocks the population of little Brígida, in the interior of southern Brazil, resulting in the banning of pagan festivities of Ivana Kupala. Thirty years later, the city is preparing to bring the party back, but terrifying events, along with the dangerous ritual of transmigration of souls, unsettle the community and bring to light the secrets of a crime that ties three families’ destinies through time.
A small group of artists travels the Brazilian backlands presenting a show. Upon arriving in a small village, they find an abandoned city with houses, a church, and a fountain spouting clean water, like a miracle of a biblical desert. Tired of and battered by their life as wanderers, the artists decide to settle in the village and start a new community, assigning themselves different roles from those they have played throughout their lives. This new arrangement, however, will reveal these artists the worst vices of the civilian life.
Amadeu needs money, he and Gina are in trouble.Fate smiles on him when he finds a bag stuffed with a small fortune, which he ends up hiding. Now Gina has to find out where Amadeu kept the bag. But she's not the only one on the hunt for this fortune.
Who are the chicks that make up the funk movement, and where are they? Funk has always been a form of protest, just as being a woman is. BEAT IS PROTEST: FUNK FROM A FEMALE PERSPECTIVE depicts the last decade underground scene of the funk women protesters in São Paulo. The testimonies come from transgender and cisgender women who navigate this universe in different roles, such as singers, DJs, beat-makers, producers, entrepreneurs, rappers, and dancers, and also from drag queens.
