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An van. Dienderen

An van. Dienderen

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Lili 2015

China girls (or Lili's) serve as models in a technical exercise preceding the actual filming, namely the calibrating of the colors of the camera and printing process based on caucasian skin.


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Prism 2021

For Prism, Belgian filmmaker An van. Dienderen invited Brussels-based Rosine Mbakam from Cameroon and Paris-based Eléonore Yameogo from Burkina Faso to work together on a film in which the differences in their skin color serves as a departure to explore their experiences with the biased limitations of the medium. Photographic media are technologically and ideologically biased, favoring Caucasian skin. Such white-centricity means that the photographic media assume, privilege and construct whiteness.


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Kastom Kopiraet N/A

Kastom Kopiraet documents the fantastic journey of a tribal art object from the Louvre in Paris to his homeland of Vanuatu in the South Pacific. Once arrived, Lengnangulong encounters the spirited villager Tarsissia, and together they explore notions of exoticism and the desire for authenticity in a globalised world.


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