In Iran, the traditional and patriarchal society does not permit death notices to bear the image of the deceased. Nahid embarks on a revolution, even though she knows that she will incur the wrath of her family.
It’s midnight and Jiyar is driving in the local route of the Sawmill factory where he works when his wife wants him to come home in a video call because she's afraid of wolves howling outside and can't make it through nights alone. But if Jiyar got back he'd his job loose…
