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Alvaro Tei

Alvaro Tei

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The Night Porter 1974 (6.8)

A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.


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Horse Fever 1976 (7.349)

Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.


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Seagulls Fly Low 1978 (5.2)

An ex-Vietnam vet is forced to become a hit-man and gets caught in the middle of a conspiracy.


Alvaro Teixeira

Alvaro Teixeira

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The Nocturnal Visitor 2024

A young man begins to be tormented by episodes of sleepwalking and decides to install security cameras at home to record his nocturnal experiences. He just didn't anticipate the consequences that this condition would have on his life. A found footage story based on true events.


Álvaro Luís Teixeira

Álvaro Luís Teixeira

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Verdes Anos 1984 (4)

In the 1970s, in the midst of political repression and the ideology of the "Brazilian miracle", a group of teenagers live their daily concerns: the future, nights full of dancing, dating fights, conflicts with their parents. For three days they live their green years, a little more than a dream.


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Deu Pra Ti Anos 70 1981

Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.


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For Love 1982

A group of artisans sell handmade wallets, belts, bags and sandals at Rua da Ladeira, but the production is disorganized. A young businessman decides to invest in the boys, divides them into work groups and decreases their resting hours. In return, he offers them a great place to live. Their “industry” starts to make a profit, but those who work continue to earn very little.


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