Amalia is Carmelo's sister, but she doesn't know it until her father's death. She believes that she travels to Medellín to claim her inheritance, but she travels to face what she has fled her whole life: her father, family, origins, a land that she doesn't like but she carries in the inside. Amalia's father is just the sender of a letter. Carmelo's father is his life itself. This is the story of the meeting of two brothers and the memory of a house.
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Ten-year-old Joaquín observes the feminine and masculine world around him wordlessly. On the eve of Mother's Day in 2000, his teenage sister runs away from home, upsetting the fragile balance of the household. Perplexed, Joaquín wonders what his place is in this family reconstruction.
