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At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.
Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.
From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.
Maxime and Frédérique, two young adults, meet at a liquor store and experience a great connection while being enveloped by disco music and colors. Their relation will be influence by something unexpected.
In a countryside house where they are meant to explore the troubles in their sexuality, three women spend days and nights apprehending their inner demons. A serene German therapist and a kind-hearted social worker supervise them, help them and try to maintain the fragile balance of the group. During 26 days, in the midst of summer, Geisha, Léonie and Eugénie will have to refrain from breaking down, tame the whispers from present times and consider the future.
December 24, 1983, 10:50 p.m.; Julie and her cousins ate too much sugar, and Santa Claus is late. Denis, alone in his car, is anxious about setting foot in his former in-laws’ house to pick up his children.
