In a series of seemingly disjointed vignettes, including an extensive look into the lives of local transgender sex workers, “El Cadaver Exquisito” juxtaposes unscripted everyday rituals with staged dream sequences to provide social commentary on violence in El Salvador, especially against women.
Lucía has been possessed by the devil. Nacho, her husband, will have to learn to live with it.
Inma, a real estate agent, has only one more chance: either she sells the apartment or she is fired.
