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Alexander Weiss

Alexander Weiss

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Let Me Go 2023 (5.767)

Every Tuesday, Claudine goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine’s daily life is disrupted and she finds herself dreaming of another life.


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Adieu sauvage 2023 (7.2)

Since the year 2000, there have been several waves of suicides among the indigenous population of the Colombian Amazon. I discovered that the men commit suicide because of love sorrow. Their wives leave them for white men. The latter think that the Indian feels nothing because they do not express themselves in the same way and, in their language, there are no words to describe feelings. Is it possible that a whole people, the Cácuas Indians, do not feel anything?


Alexander Weiss

Alexander Weiss

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A Fable For Fleas 1970

"Winner of the First Annual San Jose State College Survival Faire film contest in 1970, this 3-minute animated film began as a story Alex Weiss wrote for his kids' nursery school newsletter. Babs Jackson did the cut-out art and I filmed it, one frame at a time. Cost was $10 - $6 for the film and $4 for processing. It brought in about $1,500 over the years in rentals. The Smothers Brothers TV show wanted to run it, but insisted the word "feces" be taken out. We said no and lost out on $3,000. Dumb." - Steve Giordano


Alexander Weiss

Alexander Weiss

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Illuminati AI: The Shadow World N/A

An ancient cabal has controlled the world for centuries. With AI taking over, is there any hope of freedom in a world where all we see and hear is manipulated?


Alexander Weiss

Alexander Weiss

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Lizard People: Rulers of Time and Space 2024

Documentary discussing evidence supporting the common conspiracy theory that aliens made contact with ancient humans and are responsible for all world religions as a method of control over humanity


Alexander Weiß

Alexander Weiß

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Kohlhaas or the Proportionality of Means 2013 (6.9)

Deep in the Bavarian countryside Kleist’s historical drama Michael Kohlhaas is being shot. But instead of shooting a huge epic with impressive costumes and extraordinary props, grown-up men in suits fight with imaginary weapons. What has happened? Young director Lehman is fighting for his film, although all funds have been canceled. He’s convinced that the actor’s play and the fantasy of the audience will be sufficient. He fights for his vision as much as Kleist’s Kohlhaas fights for his rights. This film has to be finished. Whatever may come. Even if he has to go too far.


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