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A group of young activists set out to make an environmental statement by vandalizing a home superstore as it closes. But their plan goes terribly wrong when they become trapped inside and must face a deranged security guard with a gruesome passion for primitive hunting. As the night fills with violence and terror, the teenagers find themselves in a desperate fight for their lives.
Around the sleeping bodies, some presences occupy the architecture and move around the space in obscure activities: nothing of their actions is visible to us, except in the fragments in which the image shows itself under the flashlight. Monelle is a circular film without any narrative or hierarchy, without a beginning or an end, and it circumscribes a place of promiscuity and ambiguity between the different formats used—35mm and CGI animation—and the approaches of two opposites film attitudes—the structural cinema and the horror genre.
