Vismán and Alejandro live alone with their father, a veteran of the Cuban Revolutionary Armed Forces. In the intimacy of their house and their day-to-day life, the two brothers participate in filming their portrait by imagining staged scenes that reveal the violence inherited from their national and family history. – Camille Kaiser
After 91 years of operation, a camera portrays the last image of the "Nakagawa" photographic studio. Its workers reveal the memory of its founder Masao Nakagawa, a Japanese immigrant, founder of the first photographic studio in northern Peru. This is the portrait of time and the memory of a place condemned to be erased by modernity.
