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A group of working-class losers plot to give an old gypsy mobster a heart attack in order to recover a valuable car. They decide to build a monster to scare him to death. But they're looking for trouble.
A documentary maker, a team of researchers in dead languages and rites, a priest and a cameraman enter a factory that has been abandoned since 2001, when an employee murdered 16 work colleagues and subsequently, in the face of police persecution, killed himself. The police concealed evidence and closed the case as mass murder, but several testimonies, forensic photographs and other studies showed that the killer had practiced Enochian magic.
Bruce Taylor works as a doctor at a mental hospital with a dark mysterious history. When the nightmares of a patient start to affect Bruce's sleep, he thinks he might be going crazy himself. Worse still, the discovery of an old human skull threatens everyone with disease. Bruce must call upon his father Anthony for help to figure out the truth behind the skull and stop the spread of the disease.
Michael and Marianne recently married and moved into their new home, however they have come to discover that their peaceful lives are about to be turned upside down when Michael starts suffering from severe stomach pains. They will soon discover that the pain comes from a miscalculation made by Victor, a demonologist who has just opened a portal to hell in Michael's stomach. Now both Michael and Marianne have to run from dangerous people who are after this gate while facing horrific creatures that are escaping from the portal that Michael carries in his body. They will soon arrive to a deserted town, which will be plagued with monsters and death. Will Michael find a way out before it is too late?
Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.
Nothing is the same since Lucia's death. Nothing is right. Nothing is in its place. Marta, her little sister, is not even able to feel good in her own skin. The banality of the funeral, the coldness of the house, the terrible feeling of not being able to return the favor to the one who gave so much for her. It all piles up on her mind and crowds behind her eyes, but Marta refuses to cry. To do so would be to betray Lucia's memory. She prefers to work and let herself go in an eternal repetition. And yet Daniela has other plans for her. After all, her loss does not belong to her alone.
