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Alden Richards

Alden Richards

33 (1992-01-02)
Quezon City, Philippines

Alden Richards (born Richard Reyes Faulkerson, Jr. on 02 January 1992) is a Filipino actor, recording artist, and television personality. He is best known for his roles in the films The Road (2011), Hello, Love, Goodbye (2019) and Five Breakups and a Romance (2023), Family of Two (A Mother and Son's Story) [2023], and Hello, Love, Again (2024).

Alden Richards photo
Alden Richards photo
Alden Richards photo

Most Known for...

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Hello, Love, Goodbye 2019 (6.299)

A bartender and a domestic helper of Filipino origin living in Hong Kong find themselves falling in love, but they each have different plans for their future.


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N/A N/A (7.208)

Red Sun is a family drama that tells stories of courage, sacrifice, and hardships that every Filipino family has. These stories were inspired by the tales of the unsung heroes who defied the odds of World War II and the Japanese occupation of the Philippines.


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Hello, Love, Again 2024 (6.2)

Five years on from when Joy said goodbye to Ethan and Hong Kong to pursue her dreams in Canada. After fighting for their love to conquer the time, distance and a global shutdown that kept them apart, Joy and Ethan meet again in Canada but realize that they have also changed a lot, individually.


Richard Alden

Richard Alden

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Most Known for...

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The Sadist 1963 (6.4)

Three people driving into Los Angeles for a Dodgers game have car trouble and pull off into an old wrecking yard where they are held at bay by a bloodthirsty psycho and his crazy girlfriend.


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The Pit 1981 (5.7)

Twelve year-old Jamie Benjamin is a solitary misunderstood boy in his preteens. His classmates pick on him, his neighbors think he's weird and his parents ignore him. But now Jamie has a secret weapon: deep in the woods he has discovered a deep pit full of man-eating creatures he calls Trogs... and it isn't long before he gets an idea for getting revenge and feeding the Trogs in the process!


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Deadline 1980 (5.3)

A horror film about a screenwriter who loses the ability to distinguish between his fantasy world and the real world, with disastrous consequences. As he ruminates on his place in any world and loses his grip, he also loses his wife and his children's respect, and critics tear him apart. The final undoing of this screenwriter is a deadline that must be met at all costs, costs that perhaps are too great.


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