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Alberto Van den Eynde

Alberto Van den Eynde

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2006 the only year that i remember 2019

Alberto Van den Eynde's work investigates two conceptions of the image: as a capturer or rescuer of past moments and as a cause of the anguish implied by its recovery. The author's approach to his twelve-year-old self is articulated through a mosaic of vacation videos found in an old family camera. These memories form a touching, nostalgic, self-parody warp, the digital remnants of a new generational sensibility.


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Ventana en Carrer de Badajoz 2021

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.


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